Category Archives: Museums
Painted Diplomacy: Tomokazu Matsuyama at AU
“Thousand Regards,” Japanese-American artist Tomokazu Matsuyama’s solo exhibition at American University (through May 20), is timed to coincide with the Cherry Blossom Festival but it’s miles away from the Mall.
Painted Diplomacy: Tomokazu Matsuyama at AU
“Thousand Regards,” Japanese-American artist Tomokazu Matsuyama’s solo exhibition at American University (through May 20), is timed to coincide with the Cherry Blossom Festival but it’s miles away from the Mall.
Playing Rothko: the Seagram Murals on Arena Stage
This article was originally published in the New American Paintings blog | link If abstract painting is an inward journey seeking truth in the human condition, then perhaps Mark Rothko’s Seagram Murals are heralds for what we’ll find. Commissioned in 1958 for
Playing Rothko: the Seagram Murals on Arena Stage
This article was originally published in the New American Paintings blog | link If abstract painting is an inward journey seeking truth in the human condition, then perhaps Mark Rothko’s Seagram Murals are heralds for what we’ll find. Commissioned in 1958 for
A Colorful Language: Paintings by Mel Bochner at the National Gallery of Art
The Tower Gallery at The National Gallery of Art in Washington, D.C. is currently exhibiting a collection of Bochner’s recent Thesaurus Paintings and preparatory drawings alongside his early and precursory text-based Portraits (1966-1968). With regard to Bochner’s recent work, NGA curator James Meyer observed of Bochner’s recent paintings, “a kind of American Realism has entered Conceptualism’s back door.”
A Colorful Language: Paintings by Mel Bochner at the National Gallery of Art
The Tower Gallery at The National Gallery of Art in Washington, D.C. is currently exhibiting a collection of Bochner’s recent Thesaurus Paintings and preparatory drawings alongside his early and precursory text-based Portraits (1966-1968). With regard to Bochner’s recent work, NGA curator James Meyer observed of Bochner’s recent paintings, “a kind of American Realism has entered Conceptualism’s back door.”
Size Matters: Chris Martin paints big at the Corcoran
It’s easy to see Chris Martin’s interest in outsider art. In fact, it’s often written directly onto his work. A close inspection of the collaged paintings in his monumental installation in the Corcoran Gallery’s atrium yields, among other things, a newspaper clipping noting the death
Size Matters: Chris Martin paints big at the Corcoran
It’s easy to see Chris Martin’s interest in outsider art. In fact, it’s often written directly onto his work. A close inspection of the collaged paintings in his monumental installation in the Corcoran Gallery’s atrium yields, among other things, a newspaper clipping noting the death
Material Crescendo: Frank Stella at the Phillips Collection
Frank Stella doesn’t play second fiddle, but for Wassily Kandinsky he’ll play second harpsichord. Well, sort of. Currently on display at The Phillips Collection in Washington, D.C. is Stella Sounds: The Scarlatti K Series, a subset of the painterly sculptures the artist originally exhibited at Paul Kasmin
Material Crescendo: Frank Stella at the Phillips Collection
Frank Stella doesn’t play second fiddle, but for Wassily Kandinsky he’ll play second harpsichord. Well, sort of. Currently on display at The Phillips Collection in Washington, D.C. is Stella Sounds: The Scarlatti K Series, a subset of the painterly sculptures the artist originally exhibited at Paul Kasmin
Well Hung: Q&A with Sam Gilliam
Sam Gilliam’s most celebrated accomplishment — the suspended painting — made its debut at the Corcoran Gallery of Art in September 1969. While other artists like Richard Tuttle and William T. Wiley were also experimenting with the unstreched canvas during the same period, Gilliam’s sculptural approach was revolutionary in that
Well Hung: Q&A with Sam Gilliam
Sam Gilliam’s most celebrated accomplishment — the suspended painting — made its debut at the Corcoran Gallery of Art in September 1969. While other artists like Richard Tuttle and William T. Wiley were also experimenting with the unstreched canvas during the same period, Gilliam’s sculptural approach was revolutionary in that
