Monthly Archives: February 2012
Le Sigh: Gina Beavers at Nudashank
There’s no escaping the physicality of Gina Beavers’ paintings. Culled from the unremarkable — quotidian moments and bits of cultural flotsam — her work is grounded by the immediacy of her source material. Despite the occasional abstraction, these representations aren’t
Le Sigh: Gina Beavers at Nudashank
There’s no escaping the physicality of Gina Beavers’ paintings. Culled from the unremarkable — quotidian moments and bits of cultural flotsam — her work is grounded by the immediacy of her source material. Despite the occasional abstraction, these representations aren’t
Playing Rothko: the Seagram Murals on Arena Stage
This article was originally published in the New American Paintings blog | link If abstract painting is an inward journey seeking truth in the human condition, then perhaps Mark Rothko’s Seagram Murals are heralds for what we’ll find. Commissioned in 1958 for
Playing Rothko: the Seagram Murals on Arena Stage
This article was originally published in the New American Paintings blog | link If abstract painting is an inward journey seeking truth in the human condition, then perhaps Mark Rothko’s Seagram Murals are heralds for what we’ll find. Commissioned in 1958 for

