Monthly Archives: February 2014
Material Concerns: Q&A with Mitzi Pederson
To say that JPEG images don’t do justice to Mitzi Pederson’s work at Ratio 3 (3:43, open until tomorrow) is a bit of an understatement. Her exploration of materials finds her once again working with tulle, a fine netting that
Material Concerns: Q&A with Mitzi Pederson
To say that JPEG images don’t do justice to Mitzi Pederson’s work at Ratio 3 (3:43, open until tomorrow) is a bit of an understatement. Her exploration of materials finds her once again working with tulle, a fine netting that
The Relativity of Black: Q&A with Laura Judkis
Laura Judkis doesn’t make black paintings. Sometimes she doesn’t even use black in her compositions at all. Her work is pushed by the dark theatrical narratives that are associated with the color black, and even though she often works with other
The Relativity of Black: Q&A with Laura Judkis
Laura Judkis doesn’t make black paintings. Sometimes she doesn’t even use black in her compositions at all. Her work is pushed by the dark theatrical narratives that are associated with the color black, and even though she often works with other
The Relativity of Black: Q&A with Sean Talley
Long time critic David Levi Strauss proposes that art criticism “involves making finer and finer distinctions among like things.” Sean Talley’s most recent body of work makes a similar kind of assertion with regard to color. For every black surface
The Relativity of Black: Q&A with Sean Talley
Long time critic David Levi Strauss proposes that art criticism “involves making finer and finer distinctions among like things.” Sean Talley’s most recent body of work makes a similar kind of assertion with regard to color. For every black surface
Parkway 