Category Archives: Fairs
Emerging Again: D.C.’s (e)merge goes into its second year
Last year’s preview night at (e)merge was a big, ruckus party. Amidst the large crowds it was often difficult to navigate the hallways between exhibitors, and the wait for the elevators always seemed impossibly long. While it may have been loads of
Emerging Again: D.C.’s (e)merge goes into its second year
Last year’s preview night at (e)merge was a big, ruckus party. Amidst the large crowds it was often difficult to navigate the hallways between exhibitors, and the wait for the elevators always seemed impossibly long. While it may have been loads of
Guns, Art, and a Project by Ryan Carr Johnson and Samuel Dylan Scharf
There’s a long history of guns in contemporary art, from Chris Burden’s Shoot to Sophie Calle’s ballistic treatment of her lover’s letter in Take Care of Yourself to a myriad points in between. And the connection between guns and painting
Guns, Art, and a Project by Ryan Carr Johnson and Samuel Dylan Scharf
There’s a long history of guns in contemporary art, from Chris Burden’s Shoot to Sophie Calle’s ballistic treatment of her lover’s letter in Take Care of Yourself to a myriad points in between. And the connection between guns and painting
The Baltimore Contemporary Print Fair at BMA
Last weekend the Baltimore Museum of Art hosted its bi-annual print fair, bringing together a group of exciting printmakers for a small two-day event that featured an artist talk by Trenton Doyle Hancock. My thoughts on the fair, and lots of photos of the most exciting work, after the jump.
The Baltimore Contemporary Print Fair at BMA
Last weekend the Baltimore Museum of Art hosted its bi-annual print fair, bringing together a group of exciting printmakers for a small two-day event that featured an artist talk by Trenton Doyle Hancock. My thoughts on the fair, and lots of photos of the most exciting work, after the jump.
Highlights from (e)merge: the Artists Platform
Unlike the gallery platform, two-dimensional works were a bit less common in the artist platform at (e)merge. It’s not surprising — in their call to artists the organizers expressed an interest in site-specific work that engaged with the idiosyncrasies of a hotel setting.
Highlights from (e)merge: the Artists Platform
Unlike the gallery platform, two-dimensional works were a bit less common in the artist platform at (e)merge. It’s not surprising — in their call to artists the organizers expressed an interest in site-specific work that engaged with the idiosyncrasies of a hotel setting.
Highlights from (e)merge: the Gallery Platform
(e)merge kicked off with a preview and poolside party on Thursday evening. Featuring two platforms, one for galleries and the other for unrepresented artists, the fair occupies the first three floors of the Capitol Skyline Hotel as well as the lower
Highlights from (e)merge: the Gallery Platform
(e)merge kicked off with a preview and poolside party on Thursday evening. Featuring two platforms, one for galleries and the other for unrepresented artists, the fair occupies the first three floors of the Capitol Skyline Hotel as well as the lower
D.C.’s Fair Share: Q&A with the organizers of (e)merge
The Capital Skyline Hotel, site of the (e)merge art fair. Image courtesy of (e)merge. The (e)merge art fair (September 22 – 25, 2011) — founded and organized by Conner Contemporary Art co-directors Leigh Conner and Jamie Smith, as well as by Helen Allen, founder and former
D.C.’s Fair Share: Q&A with the organizers of (e)merge
The Capital Skyline Hotel, site of the (e)merge art fair. Image courtesy of (e)merge. The (e)merge art fair (September 22 – 25, 2011) — founded and organized by Conner Contemporary Art co-directors Leigh Conner and Jamie Smith, as well as by Helen Allen, founder and former
Parkway 